Sección "Arte y Arquitectura "
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LA RESTAURACIÓN DEL TEMPLO DE EL SALVADOR POR BORDANOVA (1895-1896). Daranas Ventura, Facundo |
Palabras Clave: Bordanova, Mascareño, restauración, decoración, San Miguel, San Cristóbal, Pérez Volcán, Ezequiel, Daniel, Jeremías, David, Trompe l’oeil.
Abstract: The restoration of El Salvador temple in Santa Cruz de la Palma, carried out by the painter Ubaldo Bordanova at the end of the XIX century on the initiative of the priest Benigno Mascareño, was really important. The decoration of the Main Chapel and that of the far end chapels was performed by Bordanova in 1895. However, although the whole restoration of the temple was put down to him, it had never been possible to make reference to any sort of document to testify to hat. This is the importance of the present task, which forms a part of a wider one that is still in the making. The discovery of the restoration Announcement of the temple roof, as well as that of a title deed in the presence of the notary public Manuel Calero Rodríguez, between the priest and the painter, about the completion of the decoration in El Salvador parish church, allows us to split the performance of the temple restoration into three stages. The latest one, which is of great importance, informs us about relevant details of the temple restoration and decoration, as well as the definite authorship of two canvases, that of San Miguel and that of San Cristóbal.
Key Words: Bordanova, Mascareño, restoration, decoration, San Miguel, San Cristóbal, Pérez Volcán, Ezequiel, Daniel, Jeremías, David, Trompe l’oeil.
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ANÁLISIS DE LA ARQUITECTURA DOMÉSTICA EN LA ISLA DE LA PALMA: “LA HISTORIA DE UN PUEBLO ESCRITA EN SUS CASAS”. Martín Rodríguez, Camilo |
Resumen: Las islas canarias se encuentran
enclavadas en un lugar privilegiado en
el océano atlántico, con un clima benigno la mayor parte del año gracias a sus vientos alisios. En la palma, encontramos todo tipo de climas desde el árido sur al verdor del norte, divididos por la caldera de taburiente, dando así un amplio abanico de flora y fauna. Además del origen volcánico de las islas,
donde se presentan todos los tipos de lavas dan origen a una gran variedad de arquitecturas vernáculas. Se toman como muestras casas de entorno urbano y rural. De plantas rectangulares, planta rectangular en “L” e incluso en “U”. Los muros se presentan de piedra y barro de ancho espesor. Los revestimientos son de mortero de cal y en las fachadas de menor importancia se deja la piedra vista. Las cubiertas son a cuatro, dos y una agua, de teja curva. Sobre estructura de par e hilera de vigas rectangulares y rastreles de tablas. Las construcciones anejas son muy variadas. Desde una cocina exenta que se sitúa en el patio, hasta un excusado junto a la vivienda. Y los aljibes que se sitúan en los patios para recoger el agua de lluvia y aprovecharla para la casa o jardines. Como construcciones anejas encontramos bodegas situadas en planta baja para mejor conservación del vino por el fresco del terreno, cuadra aneja a la vivienda para aprovechar el calor de los animales y facilitar la construcción, lagar para la elaboración del vino. La carpintería en puertas encontramosnaturaleza desde las entablonadas hasta las que llevan cuarterones e incluso montantes acristalados.
Las ventanas son de gran variedad, de guillotina con postigos interiores, de dos hojas con cuarterones e incluso construcciones de balcón en madera. El sistema de giro en puertas será de gozne y quicialera y en ventanas mediante bisagras. El pavimento exterior es empedrado y en el interior serán entablonados los alfarjes en planta alta y barro compactado en plantas bajas.
Palabras Clave: Islas Canarias, La Palma, Taburiente, carpintería, arquitectura doméstica
Abstract: The islands canaries are located
in a place pivileged in the ocean atlantic,
with a benign climate the biggest part in the
year thanks to the trade winds.
In La Palma, finds all type of climates
from the arid south to the greenery of de
north, divided by the “caldera de taburiente”,
giving this way a great diversity of flora
and fauna. Besides the volcanic origin of
the islands, where all the types of lavas are
presented they give origin to a great variety
of vernacular architecture.
They take like sample houses of urban
and rural environment. Of rectangular
plants, rectangular plant in “L” and even in
“U”.
The walls are presented of stone and
mud of wide thickness. The linings are of
mortar of lime and in the facades of smaller
importance the stone is left seen. The
roof to two hipped, and slope one with tile
curves. On structure of “par e Hilera” of
rectangular beams and “rastreles” of charts.
The atached constructions are very varied.
From an exempt kitchen that is located
in the patio, until a toilet next to the
housing. And the tank that are located in
the patios to pick up the rain water and to
take advantage of it for de house or gardens.
As old constructions we find cellar located
in plant it lowers for better conservation of
the wine for the cool air of the land, it attached
stables to the housing to take advantage
of the heat of the animals and to facilitate
the construction, winepress house for
the elaboration of the wine and bell gable
flown on “canes” that in harboured a bell. The carpentry in doors finds from the
“entablonados” until those that take quadrooms
panel and even stanchions panel glass.
The windows are of great variety, of guillotine
with interior shutters, of two leaves
with quadroons shuter and even balcony
constructions in wood panel. The turn system
in doors will be of hinge and pivot hole
and en windows by means of hinges.
The external pavement is paved and in
the interior they will be “entablonados” the
“alfarjes” in high plant and mud compacted
in low plant.
Key Words:The islands canaries, vernacular
architecture, sample houses of urban.